Mei Ann Teo (they/she) is a queer immigrant from Singapore making theatre & film at the intersection of artistic/civic/contemplative practice. As a director/devisor/dramaturg, she creates across genres, including music theatre, intermedial participatory work, reimagining classics, and documentary theatre. Profiled in American Theatre’s Role Call: Theatre Workers to Watch, Teo’s work has toured the U.S. and internationally including Belgium's Festival de Liege (Lyrics From Lockdown, “Truly polished, meaningful and entertaining” -New York Times), Singapore Theatre Festival (Building A Character - Hit List of the Business Times, “Dynamic staging”), Edinburgh International Fringe (MiddleFlight, “Stunning” -Scotsman), M1 Singapore Fringe Festival (The Shape of a Bird, "Superb staging" - Straits Times), INFANT Experimental Theatre Festival in Novi Sad, Serbia, Beijing International Festival (Labyrinth - Top 8 in Beijing News), Dumbo Arts Festival, and the Shanghai International Experimental Theatre Festival (Official Selection - Caucasian Chalk Circle). She has directed and/or developed new work at the Oregon Shakespeare Festival (Phil Killian Fellow 2015), Goodman Theatre, Public Theater, Berkeley Rep (Ground Floor), Crowded Fire, History Theatre and the National Black Theatre. She directed the world premiere of Dim Sum Warriors by Colin Goh and Yen Yen Woo, composed by Pulitzer Prize winner Du Yun at Stan Lai’s Theatre Above in Shanghai, which went on a national twenty-five city tour in China in summer 2018. 

Teo was the director featured at the MIT’s Symposium Next Wave: The Future of Asian American Theatre, and has presented at national conferences including Literary Managers and Dramaturgs of the Americas, Association for Theatre in Higher Education, Consortium of Asian American Theaters and Artists, Network of Ensemble Theatres, and Arts In the One World. Internationally, she has presented on her work in Italy, China, and Singapore. Teo has served as a panelist for the National Endowment for the Arts, Jerome Fellowship, and A Blade of Grass Contemplative Practice fellowship. 

Teo was the first cohort for the Hemera Foundation Tending Space Fellowship and ArtEquity Facilitator Training, and has received grants and fellowships from the Center for Cultural Innovation, the Asian Cultural Council, Network of Ensemble Theatres, Performance Project at University Settlement, and Lower Manhattan Cultural Council.

As a filmmaker, Teo directed a short film Let Me Kill My Mother First, inspired by poet Christine Chia’s relationship with her mother, which recently screened at the Singapore Film Festival in November 2018. She directed a short documentary entitled Please Listen To Me about marginalized and at risk youth in Singapore. She co-directed and produced a short film Not Here that received the Singapore Film Commission's Short Film Grant and was screened internationally, including the San Francisco Asian American Festival and the Montreal World Film Festival. She produced Stop All The Clocks (available on Amazon), a feature length documentary about Fatal Distraction – the Pulitzer winning feature by Gene Weingarten. 

As an educator, she served for seven years as the Chair of Drama/Resident Artist at Pacific Union College where she founded a program focused on original ensemble creation and rooted in personal and communal history. She received the Meritorious Service Award for creating "Red Books: Our Search for Ellen White", documentary theatre that KQED called "without a doubt a seminal moment in Adventist History". She has guest lectured at top institutions around the world, like Harvard, Duke, MIT and Shanghai Theatre Academy, and served as the Asst. Professor of Directing and Dramaturgy at Hampshire College. She holds an MFA in Theatre Directing from Columbia University.