Andros Zins-Browne

Andros Zins-Browne (New York, 1981) works at the intersection of performance and dance, extending choreographic practice into encounters with dancers, nondancers, vocalists, objects, and texts. Since 2016, his performance Already Unmade where he ‘de-hearses’ previous works, has been presented at the ICA, London; Whitney Museum of American Art, New York; Rockbund Art Museum, Shanghai; and Fondation Galeries Lafayette, Paris. In 2019, Atlas Unlimited, a series of exhibitions in collaboration with artist Karthik Pandian, was featured at PERFORMA19, New York, and is currently streaming on the Criterion Channel and at Triple Canopy. His ‘vocal choreographies’ include color a body who flees (Hammer Museum, Los Angeles, 2022) a collaborative sound installation and performance series and The Chaos Opera Workshops (Canal Projects, New York, Centre Pompidou x Jersey City, 2024) a participatory vocal performance activating the potentials for intimacy through dissonance. Performance 'Remixes' include The Tony Cokes Remixes, 10th Berlin Biennale (2018), Dia Art Foundation (2023); See-Saw, Museum of Modern Art, New York (2019) and Jérôme Bel, 1995 KADIST, Paris (2020). In collaboration with a host of conspirators, Zins-Browne premiered duel c  (River-To-River Festival, 2023) and duel    H  (Danspace Project, 2024) in choreographies commingling care and violence. Zins-Browne is the recipient of awards from the Goethe-Institut; Graham Foundation for Advanced Studies in the Fine Arts; Ministry of Culture of the Flemish Community; and New York State Council on the Arts. He has been a guest professor at The University of Chicago, Harvard University, UCLA, P.A.R.T.S., ImPulstanz Festival, Hochschule der Künste Bern, Stockholm University of the Arts; and a visiting professor of performance at the University of Giessen. He is a contributor to the recent collection of writings by choreographers, Dance History(s): Imagination as a Form of Study, published by Dancing Foxes Press. He lives in Brooklyn.